Bandstand Restoration Council Minutes

Meeting: 10/10/2018 – Environment and Community Services Policy Development and Scrutiny Committee (Item 20)

20 CROYDON ROAD RECREATION GROUND BANDSTAND RESTORATION PDF 92 KB

Additional documents:

·                                 Appendix 1 for CRRG Bandstand Project, item 20 PDF 5 MB

·                                 Appendix 2 for CRRG Bandstand Project, item 20 PDF 708 KB

Minutes:

Report ES18072

Members supported funding proposals for the restoration of the Croydon Road Recreation Ground bandstand, Beckenham.

A specialist structural survey in 2013 identified the bandstand’s condition as deteriorating with significant repair works needed to prevent further decline and ultimate removal of the asset. Croydon Road is the last remaining bandstand in Council ownership. With significant local support for the restoration, the Friends Group at Croydon Road Recreation Ground and other partners, including Memory of a Free Festival, have been actively fundraising towards the cost of repair works.

The current bandstand floor space is insufficient to accommodate some performance groups (e.g. an orchestra) and temporary staging will be purchased and a flat base circular pathway incorporated into the design to maximise space. Such improvements will ease utilisation of the bandstand by musical and theatrical groups.

Although a previous application under The Heritage Lottery Fund’s (HLF) ‘Heritage Grant’ programme was unsuccessful in 2015, a revised one-stage application is currently being prepared under the ‘Our Heritage’ programme providing grants from £10k – £100k. With the level of match-funds secured, required funding has reduced to less than £100k. As lead applicant, L B Bromley will receive all grant money with idverde and the Friends of Croydon Road Recreation Ground acting as delivery partners. Amey Ltd will procure and oversee delivery of the capital restoration works and idverde will deliver the remainder of the project.

Report ES18072 also outlined the terms and conditions of grant should an application be successful. A grant application is expected to be submitted during November 2018 with notification of the outcome expected during January 2019.

Amey Ltd carried out a competitive tender for the major repair works in February 2018 using their own preferred supplier list and the cost for the work based on the lowest tender and inclusive of fees, was estimated at £191k. Amey’s preferred supplier agreed to hold their tender price until summer 2019, to allow the HLF bid to be processed. Additionally, a number of minor works are valued at £14k (funded from the HLF grant), including the design, production and installation of an interpretation panel and staging enabling increased use of the bandstand.

A total project budget of £245k over a 12 month period is required, inclusive of a 10% contingency throughout the project, split between capital works, equipment, and associated project management costs, at approximately £205k, and revenue costs estimated at £40k. An application is expected to be made for a grant of £89k with the balance of £156k coming from match-funding.

Should the application be successful, the project is anticipated to commence in March 2019 with three grant instalments: 50% up-front; 40% on expenditure of the first instalment; and 10% on completion of the project. Subject to grant timings, capital works could commence late spring 2019 and complete by summer 2019. Expenditure on events and activities to encourage use of the bandstand is expected to be on-going throughout 2019 into 2020.

 

 

Bowie Bandstand Historic England Release

Here is the wording of the press release from Historic England regarding the granting of listed status on the bandstand.

Bowie Bandstand, Croydon Road Recreation Ground

Overview
Heritage Category: Listed Building
Grade: II
List Entry Number: 1465007
Date first listed: 08-Aug-2019
Statutory Address: Croydon Road, Beckenham, London, BR3 3PR

Location

Statutory Address: Croydon Road, Beckenham, London, BR3 3PR

The building or site itself may lie within the boundary of more than one authority.

County:Greater London Authority

District:Bromley (London Borough)

Parish:Non Civil Parish

National Grid Reference:TQ3680469000

Summary

Bandstand. Erected in 1905 to the design of the McCallum and Hope Iron Foundry, Glasgow.

Reasons for Designation

The Bowie Bandstand, erected in 1905 at Croydon Road Recreation Ground, Beckenham, by the McCallum and Hope Iron Foundry, is listed at Grade II for the following principal reasons:

Architectural interest:

* as a rare and substantial example of cast-iron work by the McCallum and Hope Iron Foundry, Glasgow, and the only bandstand by this foundry known to survive in Britain; * for the high quality of the design and the execution of the cast-iron work and casting, which survives well;

Historic interest:

* for its historic association with David Bowie, one of the most influential musicians of the C20, who played, compered and co-organised the Growth Summer Festival at the bandstand during his rise to fame in 1969; arguably the first festival in England of its kind, and immortalised by his song “Memory of a Free Festival” on “the ecstasy that swept that afternoon”.

History

The first bandstands in England were built in the Royal Horticultural Society Gardens, Kensington, London, which opened in 1861. They were designed by Captain Francis Fowke of the Royal Engineers (best known as architect of the Royal Albert Hall) as circular structures with domed roofs supported on cast-iron columns. Captain Fowke may have seen a similar pavilion displayed at the Paris Industrial Exhibition in May 1855 when he was working in the city. Bandstands provided a focus for music, serving as the venue for regular concerts, and became widespread by the end of the C19. Some manufacturers, such as Walter Macfarlane of Glasgow, provided catalogues from which a choice of bandstand designs could be chosen.

Croydon Road Recreation Ground, Beckenham, was purchased by the Beckenham Local Board and laid out by Reid and Bornemann of Sydenham in 1890. It formally opened on 23 September 1891 following a local campaign to secure public open space. On 30 January 1905 Beckenham Urban District Council commissioned a surveyor to obtain designs and prices for two bandstands after examining 25 designs from 16 contractors. On 6 May a sub-committee recommended the award of the tender for the two bandstands costing £135 each to the McCallum and Hope Iron Foundry provided that the work was executed within 10 weeks. The foundry was based at the Ruchill Iron Works, Glasgow, where the firm also produced gates, railings, rainwater goods, and ironwork for porches and glasshouses. The second bandstand was erected in Alexandra Park, Penge, but no longer survives. The Beckenham example is now the only bandstand from the foundry surviving in Britain according to a recent gazetteer (Rabbitts 2018). It is illustrated in a 1909 advertisement for the firm.

Croydon Road Recreation Ground has hosted celebrations for coronations, jubilees, hospital fetes, Empire days, May Queen festivals, as well as commemoration services to servicemen of the First and Second World War and formerly a major annual flower show (once rivalling Chelsea). In 1902 Britain’s first public air mail balloon left the park, dropping post at three points in Kent before crossing the Channel and landing near Calais. Three years later, Harold Bride, a radio operator on the Titanic, was carried round the park and spoke from the bandstand after surviving the disaster. In 1935 the Mayor of London presented Beckenham with a Charter of Incorporation as a borough within the grounds.

The musician David Bowie (1947-2016) had several associations with Beckenham and the bandstand. Born in Brixton, he moved to Plaistow Grove, Bromley, with his family at the age of eight and went to Burnt Ash Primary School and then Bromley Technical High School (now Ravens Wood School). In April 1969 he began lodging on Foxgrove Road, Beckenham, with Mary Finnigan, his landlady, and subsequently lover and co-founder of the Beckenham Arts Lab. During this particular year spent in Beckenham Bowie continued to advance rapidly on a musical level, working very hard at perfecting and improving his natural talent for writing songs and, working with the other musicians of the Arts Lab played at the Three Tuns (now (2019) Zizzi on Beckenham High Street). The Arts Lab (with Bowie’s close involvement) subsequently organised the Growth Summer Festival, a free one-day festival playing from the Beckenham bandstand on 16 August 1969, which has been described as ‘the first of its kind in the UK’ (Goddard 2019, 92). According to Finnigan, the intention was to set a similar kind of free agenda for artists and musicians as seen at Woodstock. The Beckenham festival followed the release of Bowie’s first ever hit single Space Oddity in July that previous month. One of Bowie’s signature tunes the song told the tale of an abandoned astronaut, Major Tom, marooned in space. It was released in the same year as the first Moon landing and is thought to have been one of the songs Bowie performed that day on the Beckenham bandstand. Although Space Oddity is considered by many to be about the Moon landing Bowie himself said it wasn’t. He explained the song – and Major Tom – as a metaphor for our sense of isolation after having seen and been amazed by Stanley Kubrick’s epic mystery 2001: A Space Odyssey several times on its release in 1968, the year before the Moon landing. The Beckenham festival clearly had an impact on Bowie as it inspired him to write a song about “the ecstasy that swept that afternoon” – ‘Memory of a Free Festival’; a long seven-minute closing piece for his second self-titled album recorded in September 1969 which was later released in 1970 as a carefully re-worked two-part single in homage to the festival. It has been suggested that Bowie may also have penned the lyrics to the song Life on Mars from the steps of the bandstand (May, 2017). In 2013, a new commemorative Memory of a Free Festival was held on the bandstand to raise money for its restoration. It was repeated in 2014 before being replaced by a new event called ‘Bowie’s Beckenham Oddity’ since 2016. The bandstand has now become known as the ‘Bowie Bandstand’ (London Borough of Bromley, 2019).

The bow fencing around the bandstand is thought to be a replacement of 1990. It is not of special architectural and historic interest, and is excluded from the listing.

Details

Bandstand. Erected in 1905 to the design of the McCallum and Hope Iron Foundry, Glasgow.

MATERIALS: a cast-iron structure on a brick and granolithic concrete plinth with a timber felt-covered roof.

DESCRIPTION: an octagonal bandstand with eight slender cast-iron columns standing on a brick and granolithic concrete plinth approached by steps. Between the columns is a cast-iron railing decorated with ornamental foliage work. Between the railings there are fluted columns but above it are plain columns with Corinthian capitals. The columns support decorative cast-iron brackets and elaborate fretwork beneath the roof. The bandstand has a felt-covered tented roof crowned by an open cupola enriched with scroll and leaf decoration and other ornamental pattern work, which is surmounted by a finial. The roof has an iron structural frame and a ribbed and boarded ceiling.

Sources

Books and journals
Conway, H, Public Parks, (1996)
Finnigan, M, Psychedelic Suburbia: David Bowie and the Beckenham Arts Lab, (2016)
Rabbitts, P, Bandstands: Pavilions for music, entertainment and leisure, (2018)
Websites
London Borough of Bromley: Bowie Bandstand, accessed 10 April 2019 from https://www.bromley.gov.uk/info/200073/parks_and_open_spaces/1076/bowie_bandstand_restoration_appeal
The Friends of Croydon Road Recreation Ground: History of the park, accessed 10 April 2019 from http://www.turnipnet.com/becrec/history.htm
The Scottish Ironwork Foundation database: London Beckenham bandstand, accessed 10 April 2019 from https://ironworks.scran.ac.uk/database/record.php?usi=000-002-000-262-C&scache=1irdgf8mb6&searchdb=ironworks_scran
Other
Goddard, S, ‘The Starman Cometh’ in Record Collector, Issue 490 (March 2019), 84-91
May, L, ‘Nine David Bowie landmarks in Bromley every fan can visit in just over an hour’ in Bromley Times (4 August 2017). Available online at https://www.bromleytimes.co.uk/news/nine-david-bowie-landmarks-in-bromley-every-fan-can-visit-in-just-over-an-hour-1-5135589
Personal Communication, Brian Blandford: historical information on the bandstand (June 2019)

Legal

This building is listed under the Planning (Listed Buildings and Conservation Areas) Act 1990 as amended for its special architectural or historic interest.

The listed building is shown coloured blue on the attached map. Pursuant to s1 (5A) of the Planning (Listed Buildings and Conservation Areas) Act 1990 (‘the Act’) structures attached to or within the curtilage of the listed building but not coloured blue on the map, are not to be treated as part of the listed building for the purposes of the Act. However, any works to these structures which have the potential to affect the character of the listed building as a building of special architectural or historic interest may still require Listed Building Consent (LBC) and this is a matter for the Local Planning Authority (LPA) to determine.

End of official listing

 

A Bowie Bust for Beckenham

A Bowie Bust for Beckenham

Italian architect and sculptor, Maria Primolan, is donating her latest sculpture, a life size bust of David Bowie, to Beckenham to help raise awareness and funds for the restoration of the bandstand in Croydon Road Recreation Ground.

At 2 pm on Saturday, August 12th, Maria will be on the bandstand, where she will be introduced to the many hundreds of fans attending the 5th Bowie themed concert, by the Mayor of Bromley, Kathy Bance.

The bust has been hand carved in lime wood and the face is that of the young Bowie who was living in Beckenham when his Hunky Dory album was released in 1971. This album, Maria’s favourite, was rehearsed in the nearby Azelia Hall.  On the album was Life on Mars – another of Maria’s favourite tracks – which Bowie had written on a lovely sunny summer’s day in 1971 seated on the bandstand steps.

In particular, Maria has asked the Mayor “to permanently expose this sculpture in a public area – either inside or outside – on Beckenham territory, in order to make it visible to people and visitors.”

Maria has requested  that “the sculpture must not be sold or given to others in the future: it is a gift I am giving to your community from my heart.“

The title of the sculpture is “GOODBYE MR BOWIE”.

For more information, please contact:

Maria: primolanmaria@gmail.com, site: www.mariaprimolan.it

Cliff Watkins: cliffwatkins61@gmail.com

Wendy Faulkner: bowiesbeckenhamoddity@gmail.com

Professional photo by Antonio Sandro Crisà https://it-it.facebook.com/antonio.s.crisa

Bowie at the V & A 2013

Victoria_&_Albert_Museum_Entrance,_London,_UK_-_Diliff

 

Between 23 March to 11 August 2013. The Victoria & Albert Museum staged the first international retrospective of the extraordinary career of David Bowie.

David Bowie was featured in  more than 300 objects that include handwritten lyrics, original costumes, fashion, photography, film, music videos, set designs and Bowie’s own instruments.

Because of the Beckenham connection, my wife and I attended the exhibition and were just ‘blown away’ by the extraordinary range of Bowie’s talents and his influence on so many fields other than popular music.

David Bowie Plaque

bowieplaque

 

Foxgrove Road was David’s first home in Beckenham in 1969 before he moved later that year to Haddon Hall, an Edwardian mansion in Southend Road, where he lived until 1973. 

With friends from Foxgrove Road, David founded a Folk Club in the Three Tuns in 1969. This developed into the Arts Lab which attracted all types of artistic talent from all over London.

The anthem to the 1960’s, Space Oddity, became a hit in 1969 and in 1972 David launched his career with the mega hit  Ziggy Stardust and the Spiders from Mars.

The plaque is not blue.  Blue plaques commemorate the departed.  This plaque is red (Ziggy Stardust’s hair) and gold (which glitters) in celebration of the living legend of Bowie and all those who performed in the Arts Lab and were with him during those Beckenham Years.

The plaque was unveiled by Mary Finnigan and Christina Ostrom at the Three Tuns, then called The Rat & Parrot, on December 6th, 2001.

Thanks are due to the family business of Ridgequest Foundry for the manufacture of the plaque which was funded and erected by the Copers Cope Area Residents Association (CCARA) and the Noble House Pub Company.  The plaque was designed by CCARA member Cliff Watkins who, with Paul Kinder of bowiewonderworld.com, organised the day’s events.

 Design:  Cliff Watkins

Manufacture:  Ridgequest Foundry

Paint:  Bolloms

 The Plaque was funded and erected by Beckenham’s Copers Cope Area Residents Association and Noble House Pub Company.

 

This is an excerpt from the unveiling of the David Bowie Plaque unveiling video. The original video includes interviews with various figures from The Arts Lab days.

Video ©2001 EditPoint  www.editpoint.co.uk.

Bowie Plaque Day, 6th December 2001. Report on Paul Kinder’s Website 7.12.2001

Yesterday 6th December 2001, Beckenham celebrated their famous former resident DAVID BOWIE with a plaque hung at The Rat & Parrot (formerly The Three Tuns) to celebrate and recognise David’s involvement in their town with The Arts Laboratory he co-founded at the pub.

Some people like to arrive fashionably late, we arrived an unfashionable 4 hours late! And unfortunately missed the unveiling, Steve Harley’s performance and at least 8 pints necking down time. Motorway traffic was horrendous, and chauffeur for the day poor Stephen K drove for a record 7 hours non stop. The journey should of been 4 hours at the most but having arrived in Beckenham via the scenic route we unfortunately didn’t arrive until gone 2 o’clock. Aren’t traffic jams wonderful?

I felt worse for the DJ Craig (aka Tony Day), he’s probably Steve Harley’s biggest fan and sadly missed it all. Craig got his set up, set up in record time and started spinning his discs and doing his thing. He did a grand job. As a special thank you to Craig I had a word with Kevin Cann and explained the situation and he kindly promised he’d sort him out next time Steve performs and get some autographed items. Thanks Kevin 🙂

Pictured here (courtesy of Total Blam Blam and Eddie Harris) are Mary Finnigan and Christina Ostrom who unveiled the plaque, with Mary giving her speech followed by recollections from Christina.

Stephen Roberts says he just watched the the video footage he shot through the day and the evening. There were loads of police there because they were training some new police officers in crowd control, so there were about 10-14 of them. This started a rumour that David was going to turn up which in turn brought more crowds.

Everyone I spoke to said Steve Harley gave a great 30 minutes along with his brilliant guitarist Robbie Gladwell. He performed classics such as ‘Judy Teen’, ‘Sebastian’, ‘Star For A Week’, ‘Mr Soft’ and ‘Make Me Smile’ (Come Up And See Me).

Stephen Roberts performed one song with his acoustic guitar, which went down really well. After speaking with sore-throated Stephen today I get the feeling he’s got some of the old taste back for performing. Go for it son!

Mark Carr Pritchett brought along his Hagstrom 12-string acoustic guitar that formerly belonged to David. Comment from someone in the crowd: “I can’t believe that’s THE actual guitar!”

Paul Henderson and Rob Storm both played great sets and went down really well. How on earth they’ve got the bottle to perform live in front of 150 or so hardcore Bowie fans is beyond me. I think it just goes to show how good they actually are.

Seven piece band Little Wonder performed a great tight set, playing a bag full of Bowie songs. The sound of 7 musicians playing in a very small venue was overwhelmingly wonderful. They sounded absolutely brilliant. For me ‘Scary Monsters’ did it – brilliant! Then to top it all, the encore at the end, Paul and Rob joined in with the band and got the crowd going ape.

A lot of the credit for the excellent sound with all the musicians goes to all the sound engineers. Brilliant job done guys.

Band member Craig from Little Wonder said: “U lot rock! What a great crowd in Beckenham! Thanks to everyone who came – we had a great time. Good to meet everyone. Faces to names and all that.You all know far too much about Bowie, far too much about the songs, and I think you’re all mad as hat stands, but to use the cliche… you certainly know how to party. I know the band loved it, as did all of the other acts. Thanks for a great night.”

The auctions and raffle went down rather well. Big thanks you to everyone who bought tickets and bid on items. All the money raised goes directly to the childrens charity. You’re a generous lot 🙂 All in all, with the collection boxes, raffle, auctions, barstaff charity events, and with the forthcoming DB and Visconti signed photos to be auctioned online – we estimate it will easily reach a thousand pounds raised for the childrens charity 🙂

Apart from this amount there is also the donations to be added from the forthcoming “photo packs” as well as donations from every video sold by Brett. If you saw the photos behind the bar on the large white board, which later raised over £50 each in the auction, these will be part of the special limited edition ‘Three Tuns’ photo pack along with recently written contributions from people who were directly involved in the Arts Lab, will be available to order. Proceeds from the ‘packs’ are to help raise money for the Chernobyl Children Life Line Charity of which Stephen is heavily involved with. Exclusively written contributions from David Bowie, Mary Finnigan, Ken ‘Wild Man’ Simmons, Stephen Roberts, The Diary of Steve Hippy, Mark Carr Pritchett, as well as extracts and information about The Arts Lab taken from various sources. Watch this space for full details in the next few days.

The video shot by Brett Allen to produce a professional record of the daytime events. Brett captured people recalling their own memories of the Arts Lab days. Along with this, Brett is to film various places relating to David Bowie in the Beckenham and Bromley areas. Brett has very kindly offered to donate money to the children’s charity on each video sold. Again, watch this space for full details in the next few days.

Landlord Alan and Tammy did a absolutely marvellous job of pulling all this together. Their generosity in ‘sponsoring’ the children’s charity before and after the event helping raise money is more than we ever wished to hope for. Many thanks from us all.

A big thank you to the barstaff who did an absolutely wonderful job. Dressed in their Bowie T-shirts and Aladdin Sane lightning bolts across the faces, they collected money and sold raffle tickets above and beyond the call of duty.

I emailed David this morning and sent him the above photograph of the plaque. I’m sure he won’t mind me informing everyone that he responded immediately with the comment: “It’s so swishy.” I think you can safely take from that he’s well chuffed about it.

On behalf of everyone involved in this event I would like to personally send a huge thank you to everyone on behalf of the Chernobyl Children Life Line charity who contributed, helped, donated, sung, sang, played, attended, supported, gave money, gave time, gave effort, wrote, reported, filmed, drove friends, travelled, gave encouragement and signed stuff – it was an absolutely marvellous event and fingers crossed it will renamed back to The Three Tuns and turned into an annual event.

 

A big thank you also goes out to Matthew Fisher who made The Three Tuns a subject of national importance when he nominated its inclusion in the BBC History Magazine Domesday project. *

 

Last but not least, on behalf of all David Bowie fans everywhere the biggest thank you goes to Mr. Cliff Watkins of the CCARA, who has spent the last six months organising this whole overall event, including a video made by Brett Allen. We Bowie fans salute you… you did the boy proud!

Rednik.

7th December 2001.

BW MB Profile…

 

*  In the March 2001 of the BBC HISTORY magazine  the winners for their ‘new Domesday Book for the new Millennium’ were featured. In second place was the The Rat and Parrot Pub (aka The Three Tuns), Beckenham, Kent. Nominated by Mr. Matthew Fisher.

This was the venue for Sunday evening meetings of David Bowie’s ‘Beckenham Arts Lab’ in 1969 – an informal gathering of musicians and artists. In the face of local opposition, The Three Tuns was renamed The Rat and Parrot in 1995 and is now part of a chain of similarly branded pubs. The judges were enthused by this nomination and its importance for the history of popular culture, unrecorded at present. It also highlighted the familiar issue of changes to historic pub names. CDW , although the brewery tell us it is not inconceivable that the pub could one day be renamed The Three Tuns. ‘What’s in a name? A lot when you look into it,’

 

 

David Bowie

David Bowie – Memory of a Free Festival 2014
Following the success of the concert on 15th September last year (see here) planning is well advanced for a similar Free Festival to take place on Saturday 16th August 2014, exactly 45 years to the day after the Beckenham Free Festival on the bandstand at which David Bowie appeared in 1969.

Entry will cost £5 (under 10s go free) and all proceeds will once again go towards the restoration of the bandstand. Watch out for the latest news on facebook.com/beckenham.bowie and on http://www.becrec.net/.

Article in News Shopper

 

Memory of a free festival

David Bowie Concert 2016

Concert 05

Last Saturday, 13th August 2016, a thousand Bowie fans arrived in Croydon Road Recreation Ground in Beckenham from all over the World.  (Photo by Cliff Watkins)

They were in the park to enjoy the third concert to raise funds to restore the Bandstand made famous by David Bowie’s Free Festival  in 1969.  This year’s  giant gig  began at noon and the crowds were still in the park at 7 pm and well over £10,000 was raised towards the restoration of Bowie’s bandstand which ,we were told, needed £100k to restore.  Including the previous two concerts in 2013 and 2014, The ‘Friends of the Bandstand’ have now raised some £25k.

This year the fans refused to go home and were treated to an evocative rendering of vintage Bowie songs sang by his music colleagues who been with him on the bandstand in 1969.  This was followed by an auction of donated Bowie memorabilia and signed photos, and a message from Tony Visconti thanking Wendy Faulkner for organising the event.

Meanwhile, cash strapped Bromley Council has just launched a Crowd Funding appeal for funds.

Here is some video of the 2016 event filmed by Cliff Watkins.